What to say about a shop

Reworded my shop statement, but I'm not sure that the new one is any better than the old one. The whole artist statement thing was never my strong suit, making was always easier than selling for me. Need to get Photoshop up and running again to make a new banner, so that will have to wait a few days. Now to go create something.

Keeping up with chores

Finally reposted all of my long standing items on Etsy in particular my hair accessories. Looking at my shop reminds me that I really really need to redo my banner, since it was done before I had anything to even put in my shop. Perhaps it would be best to just feature one of two items with a white background or something like that. Must contemplate the best visual presentation that represents my art and myself. Oh, and it can only be 760px by 100px, so no challenges there. No wonder I have left it as the old banner for so long. I fully admit that I'm not the biggest fan of e-housekeeping, so I'm dreading making further posts of my items.

It would be nice if I had wealthy patrons who just threw money at me whenever they saw a thing I had made, but this is reality and those people require a bit of wooing, or so I would imagine. *sigh* Must keep up with making things and allowing others to see them.

A little bit

Today I went to SCRAP (my favorite place on earth) and bought some lovely items for the LARP event I'm helping to decorate as well as a small paper guillotine for myself. Also found a whole bunch of National Geographic magazines there for free and spent about an hour cutting out great pictures for collages. Now that I think about it, I'm probably best categorized as an assemblage artist, but I still like mixed media most, because it covers so many aspects of my creative endeavors.

Sheepishly Returning

Sooooo, I've been lax in my dedication to my dreams, but no more will I shoot myself in the foot. I am going to do better and will return to posting about what I've done creatively, even if what I have to show are the Dreaded Works In Progress (which hurt me a bit to show to others). It is my hope that by doing at least a little something more often, instead of letting everything slide and going a little crazy, that it will be easier to remain creative. Furthermore, I hope that by doing something productive each day that I will not fall into the wallows of despair and existential crisis that I have allowed myself to mire in for far to long.

New leaves are difficult to turn over, but if I take it a baby-step at a time, the miles will fly by before I know it.

Artist in Residence Program

The last day and a half I've been filling out an application to be the Artist in Residence for a society. That society shall remain nameless until I know whether I have been accepted or not, but I have high hopes. Perhaps this is to be my next big thing. The position focuses on reclaimed materials, which is perfect because I love up-cycling and do it quite often.

Filling out my application and writing my artist's statement has gotten me to thinking, It has been a while since I last filled out paperwork quite like that and I am inspired to file paperwork for grants. Makes me wonder if I have just been going about this whole being an artist ... thing with the wrong mindset and I just have to take the time to apply for grants (government, institution, and private) instead of trying to sell individual pieces. Perhaps I should be thinking commission work more than piecemeal.

On the other hand, I really like making pieces in my own way and at my own pace. On the third hand (man I wish I had more than 2 hands sometimes ... anyway), I sometimes need a bit of a push to get things going and really just need to get motivated by a deadline more than my own force of will. Research time!

A Walk Through the Forest of Dreams

A Walk Through the Forest of Dreams

Jessie Night

2010

Collage (paper, ribbon, glue)

This piece is a collage made from reused paper and ribbon scraps on a reclaimed cardboard backing, created in 2009 as a commentary on the whimsy of the mundane and the mystery of dreams. This piece is a portrait of a dream I had, very surreal and lucid. In my dream I was walking through a forest looking for the ocean, which I could hear and catch glimpses of, but could not get any closer to. As I was walking through the forest, I came upon some old ruins, but could not tell what had been there before. A flower grew out of the ruins, growing very fast and very large. Persephone, the greek goddess of spring, came out of the flower and offered to trade me her pomegranate for my jewelry. When I gave her my necklace, the necklace turned into a ribbon and the goddess turned into a dove saying "there's no time" as she flew away into the forest, but the forest had turned into a painting of a forest and I could not follow. My dream stuck with me for days and I finally had to get it out through art. I chose collage because it seemed to be the best way for me to express the jumble of ideas and emotions that happened in my dream.

Each element of my dream is represented twice in the piece to give the impression of reiteration and the dual nature of many of the elements. The forest is represented by pictures of a deep and dark forest and a colorized image of branches over top, depicting the changing light and aura of the setting. The ocean I was looking for is shown in strips running vertically across the piece to represent the fact that I could see it and hear it, but could not reach the ocean and my goal was surpassed by circumstances. The ruins are shown in the red and brown stones in the lower left hand corner, carved long ago and covered with lichen and plants, yet resilient and persistent. The rapid growing flower is represented by the black orchid and the close up of the purple flower, small to large, dark to light, ever changing, bringing change. Persephone is represented twice, once as the woman and once as the dove sitting on the pomegranate, her traditional fruit from legend. The locket in the lower left hand corner was placed over the stones because it belonged to that world; the ribbon at the top is covering the female figure representing Persephone because she brings about the change in the necklace and the ribbon brings about a change in her. The forest turning into a painting is represented with the wooden frame along the right hand side and the back of a canvas at the bottom right hand corner. The clock is the only element that is represented once and that is because in the dream it was the final words and I wanted that to be the main resting point for the eye in the piece. The use of angles in this piece was done to keep the eye moving across the images and the color pallet was chosen to give a feeling of richness and lend to the enchanting and ephemeral quality of the dream.

Time spent to complete project: 5 hours

Total cost of materials: 0
Total cost of piece: $100

Component Parts of the Banjo

Component Parts of the Banjo

Jessie Night

2010

Charcoal on paper

A terrible photograph of this piece, but a lovely piece itself. This drawing uses a few different artistic elements: realism, shading, line, and found images. I found the image of the banjo and knew that it had potential. The fact that music and creativity and insanity and control are so closely linked is mystifying to me, so I explored their connections here. The face is all about control, years of practice and training, while the eye is about the creative insanity that can be achieved while playing an instrument with passion and just letting go. The fact that the picture of the banjo is a more technical diagram makes the loss of control all the more poignant.

Time spent to complete project: 2 hours

Total cost of materials: 0
Total cost of piece: $20